The novel is structured around a "providential" narrative voice, often attributed to the seven archangels who observe and recount Theodoros’s bloody path to power. This celestial perspective allows Cărtărescu to blend the of the 19th-century British campaign in Abyssinia with a postmodernist mixture of non-chronological, mystical events.
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At its heart, Theodoros is a meditation on the . Like Cărtărescu’s previous works such as Orbitor (The Blinding) and Solenoid , this novel explores how a "psychic-subjective exploration" can distort reality for purely literary, world-building purposes. The emperor’s end—a violent confrontation with British forces—is not just a historical fact but a literary culmination where a "battlefield is the book that is read over and over again". The novel is structured around a "providential" narrative
Theodoros could refer to a character in one of Cărtărescu's works, a dedicatee, or perhaps a fellow writer or academic with whom Cărtărescu has been associated. Without more specific information, it's difficult to ascertain the nature of the connection. Like Cărtărescu’s previous works such as Orbitor (The
