The Big O notation, introduced by Paul Bachmann and popularised by Donald Knuth, abstracts the growth rate of an algorithm’s resource consumption. In the artistic sphere, “Big O” has been appropriated to comment on the commodification of creative labor—e.g., “O(N) performance” as a metaphor for the pressure to produce more work in less time. Its inclusion signals a critique of how contemporary production values (speed, scalability) infiltrate artistic practice.
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