Her approach to short film making is centered around creating a immersive experience for the audience. "I believe that short films should be like a distilled version of a feature film," she says. "They should have a clear narrative, compelling characters, and a strong emotional resonance."
| Scene | Rasa Claimed | Cinematic Cues | Success Level | |-------|--------------|----------------|----------------| | Jessica’s wedding | Śṛṅgāra (Love) | Soft focus, red costumes, flute | Moderate | | Comedic misunderstanding | Hāsya (Laughter) | Slapstick, bright lighting | Low (forced) | | Death of a friend | Karuṇā (Compassion) | Slow motion, gray filter, violin | High | jessica 2024 navarasa www7starhdes short film work
Bharata Muni. (2nd century BCE). Nāṭyaśāstra . (Various translations). Gopalan, S. (2021). Navarasa: The nine emotions in contemporary cinema . Journal of Indian Aesthetics, 12(3), 45-67. IMDb. (2024). Navarasa (2021 Tamil anthology). Retrieved from [legitimate URL]. University of Film Studies. (2025). Guidelines for citing short films . 4th ed. Her approach to short film making is centered
Assuming Jessica follows the journey of its titular character, the film likely uses one dominant rasa —perhaps Karuna (sorrow/compassion) or Raudra (anger)—to drive its plot. A short film’s constraint forces efficiency: within 10–15 minutes, Jessica might confront a personal trauma, social injustice, or a moment of profound transformation. The title "Navarasa" suggests an ambition to cycle through all nine emotions, a challenge that has defeated many feature-length films. For a short, focusing on two contrasting rasas (e.g., Shringara [love] turning into Bibhatsa [disgust]) would be more effective. (2nd century BCE)
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