The bass isn't just loud. It's architectural.
When experienced in high fidelity, Post reveals the meticulous craftsmanship behind its chaotic exterior. The strings on "Isobel" sound lush and present, and the microscopic glitches and samples scattered throughout the record become audible events rather than background noise. Bjork - Post-FLAC-
: The distorted bassline, a collaboration with Graham Massey, needs the high dynamic range of FLAC to maintain its "crunch" without sounding muddy. The bass isn't just loud