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For decades, Hollywood documentaries were essentially marketing tools. They were puff pieces designed to sell DVDs, featuring actors laughing on set and directors praising the catering. The turning point arrived with films like Overnight (2003), which captured the meteoric rise and implosion of The Boondock Saints director Troy Duffy, or Lost in La Mancha (2002), which showed Terry Gilliam’s dream collapsing in real-time. They were puff pieces designed to sell DVDs,