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In the early films of the , pioneers like G. Aravindan ( Thampu , Kummatty ) used the Kerala village as a mystic, almost surreal space, drawing heavily from Theyyam and folk art. For Aravindan, the paddy field and the river weren't settings but the spiritual core of a fading agrarian world. Similarly, John Abraham’s Amma Ariyan (1986) used the landscape to critique feudal oppression.

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