The van took them back through town. The driver never spoke. The houses slept in their tidy disregard. He thought about the idea of being liked more—how it might open doors, how it might close others. He thought of the man who would be friendly, who would keep less of himself behind a folded sleeve. He thought of the girl at the park who might smile and not be torn away by the jagged edges of his past because there would be fewer edges.
The film famously contains very little dialogue. Glazer trusts the audience to interpret the narrative through Mica Levi’s haunting, dissonant score and the stark visual contrasts: under the skin film better
Glazer’s use of hidden cameras to film Johansson interacting with real, non-actor men in Scotland blurs the line between fiction and reality, heightening the sense of voyeurism and "otherness". The van took them back through town