Anna Anon: -compilation- Fix

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This paper examines the hypothetical digital compilation “Anna Anon - Compilation -” as a case study in post-internet anonymity. Moving beyond the figure of “Anna Anon” as a singular artist, the compilation is treated as a collectively authored, decentralized text that destabilizes traditional notions of authenticity, gender, and sonic ownership. Through formal analysis of its structural properties—track fragmentation, vocal distortion, and archival noise—the paper argues that the compilation functions as a feminist refusal of biographical legibility, turning anonymity into an aesthetic and political tool. Anna Anon -Compilation-