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The date “24 02 23” – read as 24 February 2023 – sits at a fascinating inflection point in the evolution of entertainment content and popular media. Just over a year after the peak of the COVID-19 pandemic’s disruption, and on the cusp of a generative AI explosion that would redefine production norms, this period encapsulates a media ecosystem in rapid flux. Streaming wars had matured into consolidation, social media algorithms were privileging short-form video, and audiences were fragmenting across an unprecedented number of platforms. This essay examines the key characteristics of entertainment content and popular media around this time, focusing on the dominance of streaming, the rise of “phygital” experiences, the transformation of fandom, and the emerging tensions between algorithmic curation and creative autonomy.

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