Earl Sweatshirt Doris Font |work|

As Earl Sweatshirt continues to evolve as an artist, it's likely that the Doris font will continue to evolve alongside him. With his recent signing to Blue Note Records and his increasingly experimental approach to music, Earl Sweatshirt is poised to take his artistry to new heights.

The Doris typography extended beyond the cover into the entire campaign. The music video for “Chum” featured the same Compacta lettering, stark white on black, fading in and out over desolate, grainy footage of Los Angeles. Promotional posters used only the word “DORIS” in that pale yellow, scaled massively, becoming an abstract shape. The physical CD and vinyl gatefolds were Spartan: tracklists in Univers, credits in a tiny, unassuming sans-serif, and a single, haunting photo of a young Earl with his grandmother. Every typographic choice screamed restraint. earl sweatshirt doris font

: Add a very slight Gaussian blur to the text to make it look like a scanned photograph or a vintage print rather than a digital file. 3. Layout and Composition As Earl Sweatshirt continues to evolve as an

Earsnot, a founding member of the iconic IRAK crew , was commissioned to provide the lettering for both the cover art and the back tracklist. The music video for “Chum” featured the same

: Mentioned in typography communities as having a similar "scribbled" feel, though it lacks the specific weight of the Doris lettering. Quick Facts for Your Report Information Typeface Custom hand-lettering Artist Earsnot (Kunle Martins) of IRAK Creative Director Jason Dill (Fucking Awesome) Released August 20, 2013

Design treatments and editorial layout strategies