Hegre 24 05 14 Any Moloko And Hera Photo Sessio... ((top)) Here

All images were printed in a limited edition of 50 prints, each signed by Moloko and Hera. The prints quickly sold out, fetching prices between €8,000–€12,000 at European art fairs.

| Idea | How it manifested | |------|-------------------| | | Neon‑glowing laurel wreaths, LED‑infused chiton‑style gowns | | Urban Olympus | Hegre’s industrial loft transformed into a marble‑covered arena | | Sound‑visual sync | Real‑time projection of Moloko’s latest single (“Pixel Pulse”) onto the set | | Dual identities | Each model wore two looks—one “Moloko” (street‑wear, bold colour) and one “Hera” (gold‑leaf, sculptural) that could be swapped on‑the‑fly | Hegre 24 05 14 Any Moloko And Hera Photo Sessio...

and in a production that blends "behind-the-scenes" photography with a central narrative theme of a yoni massage. Artistic Style and Production All images were printed in a limited edition

Hera, playing the “goddess” counterpart, opted for a minimalist, sculptural ensemble by : a sleeveless, high‑collar bodysuit of brushed aluminium fabric that reflected the lighthouse beam like a mirror. Key details of the session include: Participants :

This production is an artistic collaboration between models Any Moloko and Hera, directed and photographed by Petter Hegre. It is part of a series of photography and film projects that focus on the human form and intimate portraiture. Key details of the session include: Participants : Models Any Moloko and Hera.

| # | Title | Visual Description | Technical Highlights | |---|-------|--------------------|----------------------| | | “Spill of the Sea” | Moloko’s gown is a cascade of milky foam, caught mid‑spill, the lighthouse beam slicing through the liquid like a sword of light. The background shows the dark, turbulent sea, creating a stark contrast between purity and chaos. | 150 MP, 1/4 sec exposure, Profoto flash sync, motion‑blur of beam. | | 2 | “Reflected Hera” | Hera’s aluminium suit reflects the rotating beam, producing five overlapping silhouettes that appear to orbit her like a constellation. The lighthouse interior is a blur of warm orange, hinting at the inner sanctum. | 8‑stop exposure bracket, focus stacking for razor‑sharp edges. | | 3 | “Milk‑Moon” | A close‑up of Moloko’s face, eyes closed, a halo of milk droplets forming a translucent crown. The soft moonlight (LED panel) highlights her cheekbones, while the background is a smooth gradient of night sky. | Macro lens (120 mm), 1/8000 sec flash, high‑speed sync. |